Sunday 24 February 2013

Pentagon Memorial





The Pentagon memorial will be inaugurated tomorrow, 7 years after 9/11. This memorial is the result of a competition won by KBAS Studio, who worked closely with the familiars of the victims. Pre fabrication and computer modelling where vital on the design and construction process of this memorial. More pictures after the architect’s statement.

“Like many people, from the moment we witnessed and learned of the horrific loss of life on the morning of September 11, 2001, we simply wished to extend our hearts to those whose lives had changed forever. Words will never describe how honored we feel to have played such a significant role in the Pentagon Memorial. It has been a true privilege to be part of a stellar team, and to have worked so closely with so many people who gave the project their absolute best. Further, we will forever be inspired by the strength and determination that carries all of the family members we have come to know so well over the past 6 years. Thousands of people contributed to this place so that its contemplative integrity will persist into the distant future and with its dedication, the Pentagon Memorial will take on its own life, attracting meaning and contemplative interpretation from all of those who visit this special place.”

Keith Kaseman
Julie Beckman



Project Description
Adjacent to the point of impact of American Airlines Flight 77, the Pentagon Memorial is a place like no other. Inviting personal interpretation on the part of the visitor, the Memorial provokes thought yet does not prescribe what to think or how to feel. Both individual and collective in nature, the Memorial intends to record the sheer magnitude of that tragic day by embedding layers of specificity that begin to tell the story of those whose lives were taken.

Organized by a timeline based on the ages of these individuals, 184 Memorial Units are uniquely placed along Age Lines parallel with the trajectory of Flight 77– each marking a birth-year, ranging from 1998 to 1930. Highly articulate in its form and placement, the Memorial Unit is the heart of the project, as each Unit demarcates a special place dedicated to each individual. As such, directional orientation inherent to the cantilevered Unit provides specificity to whether an individual was aboard Flight 77 or in the Pentagon at the time of impact. Each individual’s name is engraved at the end of the cantilever, hovering above a pool of water that glows with light at night. Fully designed in a 3-dimensional computer modeling environment, the Memorial Unit will be produced through Computer Numerically Controlled (CNC) technologies and cast in a highly specialized Stainless Steel.

These Memorial Units are dispersed throughout a tactile, sensory driven environment with all materials contributing to an emphasis on life. A porous stabilized gravel system will not only allow visitors to hear their own footsteps and those of others, but also allows the grove of trees to thrive and grow directly through the gravel without protective grates. Consistently shading the Memorial Units, brilliant Paperbark Maples will create a dynamic canopy of light and color throughout the day and seasons. Planted as healthy saplings, elegantly exfoliating bark will register their growth into the future. Finally, the Memorial Park is surrounded by a continuous perimeter bench which is backed by a soft border of ornamental grasses.

When combined with the Memorial Units, there is over 2,100 linear feet of seating throughout the Memorial.












Souce: http://www.archdaily.com/6152/pentagon-memorial-kbas-studio/

Unbelievable Non-Photoshopped Body Modifications



Surrealism comes in many forms and can often be difficult to define but one common ability that spans the works of almost all surrealist artists is the power to represent the oddities of one's wildest imaginations and pass it off as real life. We know that having a mouth on the back of your hand is unusual, yet one Japanese university student that goes by the name Chooo-san confuses us all into mistaking her body mutilating art for real appendages and additional mechanics in one's body, transforming the model into a mutant or cyborg. What's most remarkable about the artist's work is that there is no digital editing involved. Everything is hand-painted.

Chooo-san first began exploring her talents at hyperrealistic illustrations on her own body, doodling eyes on the back of her hand during breaks from school. Over time, the hobby evolved into a bigger project, inviting other test subjects to offer their bodies as canvases. Simply by using acrylic paints and her given talent, the young artist manages to modify normal faces and body parts into mutated figures featuring several distorted sets of eyes, mouths, and even a compartment for batteries in one's arm (with the additional flesh-tone prop serving as the case, which can be seen, below). Chooo-san has also expanded her artistic experimentation to edible objects like apples and oranges, dramatically changing their outward appearance.











Volcano Buono





Project: Il Vulcano Buono
Location:
Nola, Italy
Phase One,
1995-2000
Phase Two,
2001-2007
Photos: Moreno Maggi RPB

Resting on the outskirts of Naples, Renzo Piano latest Volcano Buono is a mixed use center that aims to become integrated into the landscape, rather than just occupying it. The central piazza of the Volcano includes a 150 meter-wide space that holds an outdoor theater and market, while a series of concentric rings form the center’s commercial areas. Piano explained that the Volcano is “a contemporary take on a Greek marketplace, a void as a place for events, meetings, dialogue and the gathering of people”.













Source: http://www.archdaily.com/36090/volcano-buono-rpbw/

BELGIAN TREE HOUSE ON STILTS BY BAUMRAUM STUDIO


By:  Rachel


Tree houses are nostalgic for many of us, bringing people back to a place in time or just a fond memory of the past. For some, tree homes are a way of life and Baumraum has just finished this gorgeous project titled “THE TREEHOUSE”in Belgium’s lush Limburg province.

King of treehouse design, Baumraum Studio came up with this concept of 5 various elements all connecting together. Multi-level cabins, terraces for both, a luxe staircase and a roof that adjoins both cabins to unite them as one. 19 steel-angled stilts hold the tree house up, with foundation screws anchoring them down to give the structure added stability. Green elements were incorporated into the planning and building phases of this project which leave this ultimate treehouse a successful project overall.

















Source: http://inthralld.com/2012/11/belgian-tree-house-on-stilts-by-baumraum-studio/